Architecture and Cinema: Images of Vienna in International Thriller and Action Films, from 1949 to the

Session

Education and Development

Description

This paper examines the role of architecture and the display of urban spaces in international thriller, suspense and action films shot in Vienna from post-WWII to the 21st century. Special emphasis is placed on the portrayal of different parts of the city and architectural styles, particularly the contrast between (sometimes) “decaying” historical neighbourhoods and their modern(ist) counterparts, as well as between urban and suburban locations.

The films under analysis here include Carol Reed’s classic The Third Man (1949), the French cold-war thriller Avec la peau des autres (1966), excerpts from the James Bond and Mission: Impossible series, as well as Liliana Cavani’s scandal-arousing 1974 exploitation thriller The Night Porter.

Keywords:

Architecture, Cinema, Urban development, Vienna, Thriller, Action film, Cold war

Proceedings Editor

Edmond Hajrizi

ISBN

978-9951-550-50-5

Location

UBT Kampus, Lipjan

Start Date

29-10-2022 12:00 AM

End Date

30-10-2022 12:00 AM

DOI

10.33107/ubt-ic.2022.311

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Architecture and Cinema: Images of Vienna in International Thriller and Action Films, from 1949 to the

UBT Kampus, Lipjan

This paper examines the role of architecture and the display of urban spaces in international thriller, suspense and action films shot in Vienna from post-WWII to the 21st century. Special emphasis is placed on the portrayal of different parts of the city and architectural styles, particularly the contrast between (sometimes) “decaying” historical neighbourhoods and their modern(ist) counterparts, as well as between urban and suburban locations.

The films under analysis here include Carol Reed’s classic The Third Man (1949), the French cold-war thriller Avec la peau des autres (1966), excerpts from the James Bond and Mission: Impossible series, as well as Liliana Cavani’s scandal-arousing 1974 exploitation thriller The Night Porter.