Session
Modern Music and Audio Production
Description
The topic titled as Alla marcia of Z. Ballata-modernism in a pianistc march në një marsh pianistic brings the results of a comprehensive analytical approach made on one of Zeqirja Ballata's 14 piano works. Z. Ballata (1943) is an emblematic figure of Kosovar music in general, and of modern and postmodern music in particular. In his creative opus of about 160 works, there are also 14 piano works, of which in Alla Marcia this theme elaborates the means of expression. The research used qualitative method. Acording to the empirical corpus, the study is Case study. The purpose of the research was to argue the frequent classifications of Z. Ballata by musicologists and critics as a modern and postmodern composer, as well as to decipher the content of this work that should serve as an effective tool in the concretization process for performers and pianistic pedagogy. The object of analysis, in addition to the form and general historical data for the work, are also the musical parameters as: linear expression, consonant structures, rhythm and its components, dynamics, notation. In addition, the analysis goes further with the treatment of the aesthetic effect of synthesizing the analyzed musical parameters and comments on their interaction. In the paper as graphic means of argumentation notational fragments and tables were used.
Keywords:
The topic titled as Alla marcia of Z. Ballata-modernism in a pianistc march në një marsh pianistic brings the results of a comprehensive analytical approach made on one of Zeqirja Ballata's 14 piano works. Z. Ballata (1943) is an emblematic figure of Kosovar music in general, and of modern and postmodern music in particular. In his creative opus of about 160 works, there are also 14 piano works, of which in Alla Marcia this theme elaborates the means of expression. The research used qualitative method. Acording to the empirical corpus, the study is Case study. The purpose of the research was to argue the frequent classifications of Z. Ballata by musicologists and critics as a modern and postmodern composer, as well as to decipher the content of this work that should serve as an effective tool in the concretization process for performers and pianistic pedagogy. The object of analysis, in addition to the form and general historical data for the work, are also the musical parameters as: linear expression, consonant structures, rhythm and its components, dynamics, notation. In addition, the analysis goes further with the treatment of the aesthetic effect of synthesizing the analyzed musical parameters and comments on their interaction. In the paper as graphic means of argumentation notational fragments and tables were used.
Proceedings Editor
Edmond Hajrizi
ISBN
978-9951-982-15-3
Location
UBT Kampus, Lipjan
Start Date
25-10-2024 9:00 AM
End Date
27-10-2024 6:00 PM
DOI
10.33107/ubt-ic.2024.212
Recommended Citation
Cipa, Indira, "“Alla maria” of Z. Ballata-modernism in a pianistic march" (2024). UBT International Conference. 7.
https://knowledgecenter.ubt-uni.net/conference/2024UBTIC/MMDPM/7
“Alla maria” of Z. Ballata-modernism in a pianistic march
UBT Kampus, Lipjan
The topic titled as Alla marcia of Z. Ballata-modernism in a pianistc march në një marsh pianistic brings the results of a comprehensive analytical approach made on one of Zeqirja Ballata's 14 piano works. Z. Ballata (1943) is an emblematic figure of Kosovar music in general, and of modern and postmodern music in particular. In his creative opus of about 160 works, there are also 14 piano works, of which in Alla Marcia this theme elaborates the means of expression. The research used qualitative method. Acording to the empirical corpus, the study is Case study. The purpose of the research was to argue the frequent classifications of Z. Ballata by musicologists and critics as a modern and postmodern composer, as well as to decipher the content of this work that should serve as an effective tool in the concretization process for performers and pianistic pedagogy. The object of analysis, in addition to the form and general historical data for the work, are also the musical parameters as: linear expression, consonant structures, rhythm and its components, dynamics, notation. In addition, the analysis goes further with the treatment of the aesthetic effect of synthesizing the analyzed musical parameters and comments on their interaction. In the paper as graphic means of argumentation notational fragments and tables were used.