Acting, Drama and Theatre as a Medium
Session
Performing Arts
Description
This article has a target to explore the broad and analytical perspective of the relationship between acting, drama and theatre as communicative media with the reader and also the viewer. As well the revolution of acting requires a new system of study, where such as other things we seek to understand new development such as the relationship between actor and audience, written drama and reader theatre and stage, stage manipulation in performance surprise and error as innovative aspects of the deeper scientific discovery of this report. We consider that in this article we attempt to discuss the possibility of organizing the experiences and concepts of modern times on acting, written drama and theatre, as well as the freedom in the methodology of improvisation and real-time composition, which has revolutionized the traditional theatre and literary system. In any case, we will analyze the contemporary artistic object from performative practice, taking into account the thematic analysis of war, where I think that the relationship between actor, drama and theater is more powerful and more pronounced for sure. And also roles were different, they were not simply played but were given contexts, motives were given, also the fear has been given, a bitter temporal reality was stamped through the artist, taking into account the reflective strategy of understanding acting as a material that provides support to the performer and the audience, at the same time, the performer, as a medium combined with movement, voice and gesture. It is an object that creates overlap between form, body and duration. We propose the analysis of a case study, where the artistic object is considered as acting, that is, as a result of the register of scenic movement and voice of the character as a visual entity, as an object of change, a game that offers a new reading of acting theater and drama.
Keywords:
theater, actors, stage, intermediality, medium, drama
Proceedings Editor
Edmond Hajrizi
ISBN
978-9951-982-41-2
Location
UBT Lipjan, Kosovo
Start Date
25-10-2025 9:00 AM
End Date
26-10-2025 6:00 PM
DOI
10.33107/ubt-ic.2025.292
Recommended Citation
Gllavica, Fiona, "Acting, Drama and Theatre as a Medium" (2025). UBT International Conference. 2.
https://knowledgecenter.ubt-uni.net/conference/2025UBTIC/PA/2
Acting, Drama and Theatre as a Medium
UBT Lipjan, Kosovo
This article has a target to explore the broad and analytical perspective of the relationship between acting, drama and theatre as communicative media with the reader and also the viewer. As well the revolution of acting requires a new system of study, where such as other things we seek to understand new development such as the relationship between actor and audience, written drama and reader theatre and stage, stage manipulation in performance surprise and error as innovative aspects of the deeper scientific discovery of this report. We consider that in this article we attempt to discuss the possibility of organizing the experiences and concepts of modern times on acting, written drama and theatre, as well as the freedom in the methodology of improvisation and real-time composition, which has revolutionized the traditional theatre and literary system. In any case, we will analyze the contemporary artistic object from performative practice, taking into account the thematic analysis of war, where I think that the relationship between actor, drama and theater is more powerful and more pronounced for sure. And also roles were different, they were not simply played but were given contexts, motives were given, also the fear has been given, a bitter temporal reality was stamped through the artist, taking into account the reflective strategy of understanding acting as a material that provides support to the performer and the audience, at the same time, the performer, as a medium combined with movement, voice and gesture. It is an object that creates overlap between form, body and duration. We propose the analysis of a case study, where the artistic object is considered as acting, that is, as a result of the register of scenic movement and voice of the character as a visual entity, as an object of change, a game that offers a new reading of acting theater and drama.