CINEMATOGRAPHIC STYLE PROBLEMS (According to Bela Balazs point of view)
Session
Art and Digital Media
Description
Cinematographic style is started in large scale to apply changes, by including the technological achievements that now are greater and indivisible in the world of film art. People dealing with film even today are experimenting on their genre and styles by selecting different topics and treating with a professional and boldness approach.
In this piece of work we will treat the approach and point of view of the great thinker and philosopher Bela Balazs, that in his important book “Filmkultura”, a great part has left for cinematographic style problems. It is important for us to see how he as treated the cinematographic style problems. Taking in consideration the time and the technological achievements at the time that author has been living, freely we can cast that with a great professionality he brings out and arguments genuine theories of the world of film art, those that even now have place for usage.
Keywords:
Style, cinema, technology, genre, literature.
Proceedings Editor
Edmond Hajrizi
ISBN
978-9951-550-95-6
Location
UBT Kampus, Lipjan
Start Date
28-10-2023 8:00 AM
End Date
29-10-2023 6:00 PM
DOI
10.3107/ubt-ic.2023.3
Recommended Citation
Sele, Bekim, "CINEMATOGRAPHIC STYLE PROBLEMS (According to Bela Balazs point of view)" (2023). UBT International Conference. 3.
https://knowledgecenter.ubt-uni.net/conference/IC/art/3
CINEMATOGRAPHIC STYLE PROBLEMS (According to Bela Balazs point of view)
UBT Kampus, Lipjan
Cinematographic style is started in large scale to apply changes, by including the technological achievements that now are greater and indivisible in the world of film art. People dealing with film even today are experimenting on their genre and styles by selecting different topics and treating with a professional and boldness approach.
In this piece of work we will treat the approach and point of view of the great thinker and philosopher Bela Balazs, that in his important book “Filmkultura”, a great part has left for cinematographic style problems. It is important for us to see how he as treated the cinematographic style problems. Taking in consideration the time and the technological achievements at the time that author has been living, freely we can cast that with a great professionality he brings out and arguments genuine theories of the world of film art, those that even now have place for usage.