“The practice of the vocal techniques “Voice for the body, the body for the voice” in Kosovo”
Session
Modern Music, Digital Production and Management
Description
This article explores the practice of the vocal techniques “Voice for the body, the body for the voice”in Kosovo” through different cases of different vocal students. As the Vocal technique '' Voice for the body, body for the voice '' directly influences the expansion of the singer's ambition, originality and identity of the vocals, total reinforced singing, freedom of sound, rehabilitation of vocal damage and regulation of breathing in professional way, the training with this method is observed and the results are presented with a comparison of the students previous voice condition.
Session Chair
Liburn Jupolli
Proceedings Editor
Edmond Hajrizi
ISBN
978-9951-550-19-2
Location
Pristina, Kosovo
Start Date
26-10-2019 1:30 PM
End Date
26-10-2019 3:00 PM
DOI
10.33107/ubt-ic.2019.65
Recommended Citation
Durmishi, Luan, "“The practice of the vocal techniques “Voice for the body, the body for the voice” in Kosovo”" (2019). UBT International Conference. 65.
https://knowledgecenter.ubt-uni.net/conference/2019/events/65
“The practice of the vocal techniques “Voice for the body, the body for the voice” in Kosovo”
Pristina, Kosovo
This article explores the practice of the vocal techniques “Voice for the body, the body for the voice”in Kosovo” through different cases of different vocal students. As the Vocal technique '' Voice for the body, body for the voice '' directly influences the expansion of the singer's ambition, originality and identity of the vocals, total reinforced singing, freedom of sound, rehabilitation of vocal damage and regulation of breathing in professional way, the training with this method is observed and the results are presented with a comparison of the students previous voice condition.