“Different approaches of music producers — George Martin, Brian Eno, Tony Visconti, Quincy Jones & Butch Vig on Vocal Recording & Production. How does the ProducerSongwriter Relationship influence the Vocal Performance and What Does it Bring Sonically in Music Production?”
Session
Modern Music, Digital Production and Management
Description
This research paper focuses on the creative process of vocal recording production and it analyses the producer-songwriter/vocalist relationship.
The key findings uncover seven studio work methods that occurred as a result of producer’s balance between being adaptive/supportive and suggestive towards songwriters in the studio. These findings incorporate: 1. Translating Creative Ideas and Executing them Technically Communication and Understanding between the Producer and Songwriter; 2. Music Producer’s presence in the studio; 3. Music Producer’s Presence in the Studio — What is the Effect of the
Audience in Music Performance?;
4. Using Recording Techniques to Emphasise Artist’s Performance Strengths; 5. Helping Singers in the Studio with their Confidence - Nurturing Novelty versus Nurturing What Sounds “Recognisable” (Familiar versus Unfamiliar Stimulus; The Mere Exposure Effect); 6. Spontaneity of Vocal
Performance and its Usefulness based on Bruner’s Concept of Creativity and 7. Improving Studio Vocal Performance through the Vocal Comping Technique. Vocal Comping as the “Final Take” and as a “Reference Take”.
Session Chair
Liburn Jupolli
Proceedings Editor
Edmond Hajrizi
ISBN
978-9951-550-19-2
Location
Pristina, Kosovo
Start Date
26-10-2019 11:00 AM
End Date
26-10-2019 12:30 PM
DOI
10.33107/ubt-ic.2019.67
Recommended Citation
Kuci, Tomor, "“Different approaches of music producers — George Martin, Brian Eno, Tony Visconti, Quincy Jones & Butch Vig on Vocal Recording & Production. How does the ProducerSongwriter Relationship influence the Vocal Performance and What Does it Bring Sonically in Music Production?”" (2019). UBT International Conference. 67.
https://knowledgecenter.ubt-uni.net/conference/2019/events/67
“Different approaches of music producers — George Martin, Brian Eno, Tony Visconti, Quincy Jones & Butch Vig on Vocal Recording & Production. How does the ProducerSongwriter Relationship influence the Vocal Performance and What Does it Bring Sonically in Music Production?”
Pristina, Kosovo
This research paper focuses on the creative process of vocal recording production and it analyses the producer-songwriter/vocalist relationship.
The key findings uncover seven studio work methods that occurred as a result of producer’s balance between being adaptive/supportive and suggestive towards songwriters in the studio. These findings incorporate: 1. Translating Creative Ideas and Executing them Technically Communication and Understanding between the Producer and Songwriter; 2. Music Producer’s presence in the studio; 3. Music Producer’s Presence in the Studio — What is the Effect of the
Audience in Music Performance?;
4. Using Recording Techniques to Emphasise Artist’s Performance Strengths; 5. Helping Singers in the Studio with their Confidence - Nurturing Novelty versus Nurturing What Sounds “Recognisable” (Familiar versus Unfamiliar Stimulus; The Mere Exposure Effect); 6. Spontaneity of Vocal
Performance and its Usefulness based on Bruner’s Concept of Creativity and 7. Improving Studio Vocal Performance through the Vocal Comping Technique. Vocal Comping as the “Final Take” and as a “Reference Take”.