Eisenstein's Piranesi

Session

Integrated Design

Description

This paper will deal with a very interesting encounter between architecture and cinema through analysing two texts written by Soviet film director Sergei Eisenstein. In the late years of his career, Eisenstein wrote an article on Giovanni Battista Piranesi’s architectural etchings Le Carceri d'Invenzione, finding cinematic dynamism in those images. The current text will analyse the formal method of Eisenstein’s architectural reading and will ask the question why he looked at the 18th-century architectural etchings of Piranesi in order to find contemporary cinematic forms.

Keywords:

Eisenstein, film, soviet, architecture, cinema, Piranesi

Session Chair

Ajhan Bajmaku, Artrit Bytyçi

Proceedings Editor

Edmond Hajrizi

ISBN

978-9951-550-19-2

Location

Pristina, Kosovo

Start Date

26-10-2019 11:00 AM

End Date

26-10-2019 12:30 PM

DOI

10.33107/ubt-ic.2019.08

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Oct 26th, 11:00 AM Oct 26th, 12:30 PM

Eisenstein's Piranesi

Pristina, Kosovo

This paper will deal with a very interesting encounter between architecture and cinema through analysing two texts written by Soviet film director Sergei Eisenstein. In the late years of his career, Eisenstein wrote an article on Giovanni Battista Piranesi’s architectural etchings Le Carceri d'Invenzione, finding cinematic dynamism in those images. The current text will analyse the formal method of Eisenstein’s architectural reading and will ask the question why he looked at the 18th-century architectural etchings of Piranesi in order to find contemporary cinematic forms.