Potential of Basic Geometric Shapes in Architecture Case study: Tadao Ando

Session

Architecture and Spatial Planning

Description

Two thousand years ago, Roman author and architect, Vitruvius (c. 80–70 BC – after c. 15 BC) insisted that all buildings should have three attributes: firmitas (strength), utilitas (utility), and venustas (beauty). While the first two components are precisely defined, third one, because of its artistic features, is relatively undefined and the topic of many discussions between different theorists even nowadays. Starting from the point of view that the architectural form is not simply the manifestation of geometric shapes that participated on the composition, but also the nature of materials, textures, light and many other components, the focus of this paper is to highlight and define the potential of basic geometric shapes (Platonic Solids) on the overall esthetic communication of the architectural form. In this context, has been analyzed the opus of one of the most significant architects of nowadays, Tadao Ando, who is notable for shaping his buildings using very pure geometrical shapes.

Keywords:

Architectural Form, Basic Geometric Shapes, Tadao Ando

Session Chair

Arber Sadiki

Session Co-Chair

Ajhan Bajmaku

Proceedings Editor

Edmond Hajrizi

ISBN

978-9951-437-96-7

Location

Lipjan, Kosovo

Start Date

31-10-2020 1:30 PM

End Date

31-10-2020 3:00 PM

DOI

10.33107/ubt-ic.2020.20

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Oct 31st, 1:30 PM Oct 31st, 3:00 PM

Potential of Basic Geometric Shapes in Architecture Case study: Tadao Ando

Lipjan, Kosovo

Two thousand years ago, Roman author and architect, Vitruvius (c. 80–70 BC – after c. 15 BC) insisted that all buildings should have three attributes: firmitas (strength), utilitas (utility), and venustas (beauty). While the first two components are precisely defined, third one, because of its artistic features, is relatively undefined and the topic of many discussions between different theorists even nowadays. Starting from the point of view that the architectural form is not simply the manifestation of geometric shapes that participated on the composition, but also the nature of materials, textures, light and many other components, the focus of this paper is to highlight and define the potential of basic geometric shapes (Platonic Solids) on the overall esthetic communication of the architectural form. In this context, has been analyzed the opus of one of the most significant architects of nowadays, Tadao Ando, who is notable for shaping his buildings using very pure geometrical shapes.