Kosovar women and their contribution to the development of artistic music in Kosovo in the period 1972-1990

Aida Gjikolli

Session

Modern Music and Audio Production

Description

In this scientific-analytical study, it will be about the contribution of women in the cultivation and development of cultured, artistic music in Kosovo, starting from their first appearance in this sphere of art - very little known until that time - until the appearance on the stage of a multitude of enthusiastic women who, already, did not consider the mentality of the time, on the contrary, they fought it through their education, their appearances on concert and operatic stages. The reflection will begin from 1972 when the High Pedagogical School of Music was founded in Kosovo for the first time, which, a few years later, was transformed into the Academy of Music and from 1987, returned to the Faculty of Arts, where they were part of and other arts, such as: Painting, Graphic Design, Sculpture and a few years later, Acting and Directing. Of course, we will limit ourselves to the field of Music, which included the Instrumental courses (Piano, Violin, Flute, Cello, Double Bass, Horn, etc.), then the Conducting course, the Composition course, as well as the course with the most students, Pedagogical - Artistic (as it was called then) or General Pedagogy. On this occasion, we will note the great effort to the point of exhaustion of the first teachers educated in other centers of the former Yugoslavia who formed the core of the first cadres of Musical Art in Kosovo. Of course, although initially, the number of students was minimal, later this number will gradually increase more and more with their contribution to have (today) a solid base of instrumentalists, singers, conductors and composers who , without fear, they will compete with anyone in Europe and the world, and we will be proud of them today. This, in fact, has only been achieved with colossal, unstoppable work and with many sacrifices.

Keywords:

In this scientific-analytical study, it will be about the contribution of women in the cultivation and development of cultured, artistic music in Kosovo, starting from their first appearance in this sphere of art - very little known until that time - until the appearance on the stage of a multitude of enthusiastic women who, already, did not consider the mentality of the time, on the contrary, they fought it through their education, their appearances on concert and operatic stages. The reflection will begin from 1972 when the High Pedagogical School of Music was founded in Kosovo for the first time, which, a few years later, was transformed into the Academy of Music and from 1987, returned to the Faculty of Arts, where they were part of and other arts, such as: Painting, Graphic Design, Sculpture and a few years later, Acting and Directing. Of course, we will limit ourselves to the field of Music, which included the Instrumental courses (Piano, Violin, Flute, Cello, Double Bass, Horn, etc.), then the Conducting course, the Composition course, as well as the course with the most students, Pedagogical - Artistic (as it was called then) or General Pedagogy. On this occasion, we will note the great effort to the point of exhaustion of the first teachers educated in other centers of the former Yugoslavia who formed the core of the first cadres of Musical Art in Kosovo. Of course, although initially, the number of students was minimal, later this number will gradually increase more and more with their contribution to have (today) a solid base of instrumentalists, singers, conductors and composers who, without fear, they will compete with anyone in Europe and the world, and we will be proud of them today. This, in fact, has only been achieved with colossal, unstoppable work and with many sacrifices.

Proceedings Editor

Edmond Hajrizi

ISBN

978-9951-982-15-3

Location

UBT Kampus, Lipjan

Start Date

25-10-2024 9:00 AM

End Date

27-10-2024 6:00 PM

DOI

10.33107/ubt-ic.2024.210

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Oct 25th, 9:00 AM Oct 27th, 6:00 PM

Kosovar women and their contribution to the development of artistic music in Kosovo in the period 1972-1990

UBT Kampus, Lipjan

In this scientific-analytical study, it will be about the contribution of women in the cultivation and development of cultured, artistic music in Kosovo, starting from their first appearance in this sphere of art - very little known until that time - until the appearance on the stage of a multitude of enthusiastic women who, already, did not consider the mentality of the time, on the contrary, they fought it through their education, their appearances on concert and operatic stages. The reflection will begin from 1972 when the High Pedagogical School of Music was founded in Kosovo for the first time, which, a few years later, was transformed into the Academy of Music and from 1987, returned to the Faculty of Arts, where they were part of and other arts, such as: Painting, Graphic Design, Sculpture and a few years later, Acting and Directing. Of course, we will limit ourselves to the field of Music, which included the Instrumental courses (Piano, Violin, Flute, Cello, Double Bass, Horn, etc.), then the Conducting course, the Composition course, as well as the course with the most students, Pedagogical - Artistic (as it was called then) or General Pedagogy. On this occasion, we will note the great effort to the point of exhaustion of the first teachers educated in other centers of the former Yugoslavia who formed the core of the first cadres of Musical Art in Kosovo. Of course, although initially, the number of students was minimal, later this number will gradually increase more and more with their contribution to have (today) a solid base of instrumentalists, singers, conductors and composers who , without fear, they will compete with anyone in Europe and the world, and we will be proud of them today. This, in fact, has only been achieved with colossal, unstoppable work and with many sacrifices.